I tested each editor with identical source material: 4K phone footage from a hiking trip (2.3 GB file), compressed YouTube downloads at 720p with visible compression artifacts, and interview audio with persistent background hum. Each editor went through the same workflow: importing mixed formats, basic timeline editing with cuts and transitions, color correction on overexposed clips, noise reduction on the problematic audio track, and final export to MP4.
The evaluation took 6 weeks total – roughly 4-5 hours hands-on with each tool. I prioritized real-world stability over feature checklists, noting which editors crashed during exports and which handled the 4K footage without proxy generation.